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*** nytimes_04.05.16
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[Seattle Central Library, Seattle]
- campy themes
"The first impression is pure bling-bling: ... this is big rock candy mountain." (Herbert Muschamp, nyt_04.05.16)
- zagat survey
"Ages ago, Mr. Koolhaas used to stay at the U.N. Plaza Hotel in Manhattan, Kevin Roche's crisp variation on the International Style
, and ... it occurred to me that Mr. Koolhaas had turned the hotel inside-out.
The exterior resembles an inverted, Expressionist version of the Ambassador Grill, the hotel's ground-floor restaurant." (Herbert Muschamp, nyt_04.05.16)
- mirrored-disco look
"Who knew that dated disco bling-bling makes an ideal motif for a 21st-century library?" (Herbert Muschamp, nyt_04.05.16)
- encounter with space
"Eat your heart out I.M. Pei. ... the entrance pyramid at the Louvre looks like a gadget from Sharper Image catalog." (Herbert Muschamp, nyt_04.05.16)
- nasty encounters
"The Seattle Art Museum, designed by Robert Venturi and Denise Scott Brown, is a rancid piece of work. Frank Gehry's Experience Music Project looks like something that crawled out of the sea, rolled over and died."(Herbert Muschamp, nyt_04.05.16)
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*** newyorker_04.05.17
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- last architect
"His firm, the Office for Metropolitan Architecture,
which is based in Rotterdam, wasn't on the original list of architects being considered for a
new library in Seattle, but one day in 1999 Koolhaas's partner,
Joshua Ramus, who comes from Seattle,
got a phone call from his mother saying she had read in
the local newspaper that any architect who wanted
to be considered should show up the next day for a briefing." (Paul Goldberger, ny'er_04.05.17)
- reinterpretation
"Koolhaas has always been a better architect than social critic." (Paul Goldberger, ny'er_04.05.17)
- mixing chamber
"Koolhaas's verbiage is always a little annoying." (Paul Goldberger, ny'er_04.05.17)
- parlor-trick
"Deborah Jacobs seems to have been about as close to an ideal client as could be imagined. ... She rejected the green-colored, unfinished sheetrock ... on the ground that it was trite and cheap-looking." (Paul Goldberger, ny'er_04.05.17)
"... an ennobling public space." (Paul Goldberger, ny'er_04.05.17)
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*** seattlepi_04.05.23
*** seattlepi_99.12.16
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- finishes
"Kiasma was a stark symphony of cool white and dramatic shapes but without the chapel's welcoming grace.
Even more crucial was the discovery that the museum, which had opened only a year before,
did not seem to have aged well.
'That new building looked 10 years old,' Anderson remembered." (Gilbert Anderson, the library board, in John Douglas Marshall, spi_04.05.23)
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*** seattletimes_04.04.25
[+] exit-D
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- civic chutzpah
"Rubik's Cube cinched by a corset?
A crystal frog poised to leap at the staid federal courthouse up the hill?
A Christmas package so lumpy ..." (William Dietrich, st_04.04.25)
- possum
"He speaks quietly, intently, a work of architecture himself with his tall, angular frame, balding and sculpted head,
feet so long and narrow that they seem like angle irons ..."
(William Dietrich, st_04.04.25)
- vocera intercoms
"Everywhere Jacobs goes, she is asked if we are not spending $165.5 million on what will become a glorified, smelly greenhouse for the homeless."
(William Dietrich, st_04.04.25)
- pillow ceiling
"The men's room is painted an electric seasick green to discourage lingering."
(William Dietrich, st_04.04.25)
"... community hub."
(William Dietrich, st_04.04.25)
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*** domus871_04.06.03
[+] exit-S
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- chartreuse
"OMA's building, unashamedly sculptural yet surprisingly pragmatic, redefines the relationship between information and public space." (Matthew Stadler, Michael Sanchez, dom871_04.06.03)
- pollyannish rhetoric
"The new library's pleasures are mainly picaresque." (Matthew Stadler, Michael Sanchez, dom871_04.06.03)
- corollary agora
"Instead of Technicolor foods and fabulous discos, one inevitably washes the lettuce scraps in a toilet bowl or dances drunk on a car roof with strangers unable to speak the same language." (Matthew Stadler, Michael Sanchez, dom871_04.06.03)
- more on Seattle Central Library :
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